Please note that while you may order forthcoming books at any time, they will not be available for shipment until shortly before publication date
Established by a Black community in the eighteenth century during British colonization of the Bahamas, the Northern Burial Ground of St. Matthew’s Parish was an important expression of the group’s African cultural identity. Analyzing the landscape and artifacts found at the site, Grace Turner shows how the community used this separate space to maintain a sense of social belonging despite the power of white planters and the colonial government.
Broadening the idea of “borderlands” beyond its traditional geographic meaning, this volume features new ways of characterizing the political, cultural, religious, and racial fluidity of early America.
This catalog documents the printed work of Beardsley, containing images of his work from the Rowe Collection, a condensed biography on Aubrey Beardsley by Sara Smith, and an essay by Christina Glover describing the line block technique. Accompanying the catalog illustrations are commentaries by Patrick M. Rowe.
Franciscans—also known as the order of Saint Francis—were the first friars to establish themselves in Cuban territory, subsequently creating the most extensive network of convents on the island. As members of the largest order in Europe during the 16th and 17th centuries, these friars were part of an attempt to bring faith to the native peoples of the New World. Author Arelis Cabrera uses primary sources to assess the role played by the Franciscans in Cuba’s colonial past.
Between Washington and Du Bois describes the life and work of James Edward Shepard, the founder and president of the first state-supported black liberal arts college in the South—what is today known as North Carolina Central University.
Beautifully illustrated with colorful photographs, this volume traces the living heritage of locally made pottery in the English-speaking Caribbean.
This book tells the little-known story of how the United States used modern art as a cultural defense strategy in South America during World War II.
