This book explores the many ways in which the island of Cuba has been immortalized in ceramic pieces. While the works of several Cuban ceramists are present in these pages, this is not a book about Cuban ceramics featuring Cuban artists working in that medium. The protagonist of this book is Cuba itself, seen through the eyes of ceramists—native and foreign.
Browse by Subject: Latin American Studies
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This collection of essays offers a comprehensive overview of colonial legacies of racial and social inequality in Latin America and the Caribbean. Rich in theoretical framework and close textual analysis, these essays offer new paradigms and approaches to both reading and resolving the opposing forces of race, class, and the power of states.
Abundantly illustrated, this volume is a pioneering survey of the ancient art of the entire Caribbean region. While previous studies have focused on the Greater Antilles—Cuba, Haiti, the Dominican Republic, Puerto Rico, and Jamaica—this is the first book also to include the islands of the eastern Caribbean and their ties to pre-Columbian Venezuela.
The work of the 1960s Caracas-based art collective El Techo de la Ballena (The Roof of the Whale) was called “subversive” and “art terrorism” and seen as a threat to Venezuela’s national image as an emerging industrial power. This volume details the historical and social contexts that shaped the collective, exploring how its anti-art aesthetic highlighted the shortcomings of the country’s newfound oil wealth and transition to democracy.
The Catholic Church produced an enormous volume of written material designed to ensure the servility of nuns. Reading this body of proscriptive literature alongside nuns' own writings, Kirk finds that practice often diverged from theory. She analyzes how seventeenth- and eighteenth-century nuns formed alliances and friendships in defiance of Church authorities' efforts to contain and control them.
As Karen Richman shows, Haitians at home and in migrant settlements make ingenious use of audio and video tapes to extend the boundaries of their ritual spaces and to reinforce their moral and spiritual anchors to one another.
This is the first volume to bring together archaeology, anthropology, and art history in the analysis of pre-Columbian pottery. While previous research on ceramic artifacts has been divided by these three disciplines, this volume shows how integrating these approaches provides new understandings of many different aspects of Ancient American societies.
In recent decades, Latin American countries have sought to modernize their labor market institutions to comply with the demands of globalization. This book evaluates the impact of such neoliberal reforms on labor movements and workers’ rights in the region through comparative analyses of labor politics in Chile, Mexico, Argentina, Brazil, and Venezuela.
After the end of the Mexican Revolution in 1917, post-revolutionary leaders hoped to assimilate the country’s racially diverse population into one official mixed-race identity—the mestizo. This book shows that as part of this vision, the Mexican government believed it could modernize “primitive” indigenous peoples through technology in the form of education, modern medicine, industrial agriculture, and factory work. David Dalton takes a close look at how authors, artists, and thinkers—some state-funded, some independent—engaged with official views of Mexican racial identity from the 1920s to the 1970s.
Detain and Punish: Haitian Refugees and the Rise of the World's Largest Immigration Detention System
Immigrants make up the largest proportion of federal prisoners in the United States, incarcerated in a vast network of more than two hundred detention facilities. This book investigates when detention became a centerpiece of U.S. immigration policy. Detain and Punish reveals why the practice was reinstituted in 1981 after being halted for several decades and how the system expanded to become the world’s largest immigration detention regime.