"This is a book that a Chaucer teacher would want to purchase, and that would be recommended for purchase to one's class of graduate or upper undergraduate students. . . . Fully conversant with sophisticated modern theory of open form as well as medieval rhetorical theory and practice; . . . shows Chaucer's living relation to a whole body of writing, medieval and modern; and . . . does so in a manner that is immediately accessible and highly refreshing."--Derek Pearsall, Harvard University
Rosemarie McGerr examines the open-endedness of Chaucer's narrative poems in relation to modern and postmodern theory and to medieval traditions. She discusses links between Chaucer’s poems and modern definitions of "open form" and then addresses medieval conventions of closure and pre-Chaucerian poems that subverted those conventions. Against this critical backdrop, she offers readings of Chaucer's narrative poems focusing on how they manipulate medieval conventions of closure and openness, highlight ambiguity in interpretation of texts, and raise questions about the relationship of gender and reading.
McGerr's study is the first to demonstrate that subversion of closure plays a major role in all of Chaucer's narrative poems and to provide an in-depth analysis of the treatment of closure in medieval poetic theory and practice, with evidence from a wide variety of Latin and vernacular texts. It is also the first book to discuss medieval subversion of closure in relation to modern and postmodern theories of open poetics.
In combining a comprehensive discussion of Chaucer's works and an innovative approach to a major issue in contemporary literary discourse, McGerr argues for a reinterpretation of Chaucer's poems that have long been thought incomplete as examples of "open form."
Rosemarie P. McGerr, associate professor of comparative literature at Indiana University, is the editor of The Pilgrimage of the Soul and author of numerous articles in Exemplaria, Comparative Literature, Viator, and other journals.
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"This book had two great merits: it gives admirably close and persuasive readings impossible to summarize adequately in a short review- of each of the texts it examines: and it talks about them in direct and lucid prose. In both these respects it provides an excellent model for students to follow." - English Studies
"An excellent treatment of the issues of inconclusiveness, resistance to closure, and polyvocal perspectives in Chaucer's narrative poems, this volume sets these issues within the contexts of both modern literary theory and medieval rhetorical theory." -- Choice
"Demonstrates broad learning about medieval texts and offers some good insights into the ways in which closure was insisted upon in the abstract and yet denied through the playful subversion of the formal devices which should have insured it."-- Studies in the Age of Chaucer
--Studies in the Age of Chaucer
"McGerr's clear and unusual focus, her delicate and often witty analysis, and her responsiveness to medieval and modern critical theory make her book a major contribution to Chaucer studies."-- Medium Aevum
"McGerr's study provides an important paradigm of interpretation that makes Chaucer intellectually accessible to us while anchoring him in a contemporaneous intellectual and peotico-rhetorical environment." -Speculum
--Speculum-A Journal of Medieval Studies