|
|
Elie Wiesel's Secretive Texts
Colin Davis
Details: 215 pages
6 x 9 Cloth: $59.95 ISBN 13: 978-0-8130-1303-9 Pubdate:
Overview "Remarkable rigor, range, and erudition. I am particularly impressed by Davis's courageous attempt to balance ethical and aesthetic concerns that continue to divide the critics dealing with the Holocaust."--Raymond Gay-Crosier, University of Florida
"Brings a new perspective to Wiesel's literature."--Ellen Fine (City University of New York), author of Legacy of Night: The Literary Universe of Elie Wiesel
Elie Wiesel's fiction is rooted in his experience as a survivor of Auschwitz and Buchenwald. His work as a novelist has been accompanied by increasing involvement in human rights activities, for which he received the Nobel Peace Prize in 1986. Working through some of the ethical implications of literary interpretation, Colin Davis examines the consequences of taking a modern critical perspective on Holocaust literature. With the notion of narrative secrecy fundamental to his study, he suggests that Wiesel's fiction is more darkly ambiguous and deeply complex than his stance on human rights issues. Drawing on Wiesel's short stories, novels, and essays, Davis illustrates the disjunction between the uncertainties expressed in Wiesel's fiction and the polemical confidence of some of his nonliterary writing. He discusses tensions in the fiction in the context of the personal, theological, intellectual, and aesthetic traumas of the Holocaust. He analyzes important themes in Wiesel's writing, such as madness, language and silence, and the death of the father, and links them in an original manner to the ideas of storytelling and of the loss of meaning. He ends by drawing some tentative conclusions about secrecy and interpretation through a consideration of Wiesel's most recent novel, The Forgotten. Davis acknowledges the risks involved in approaching Holocaust literature from the standpoint of fictional form. He writes, "By concentrating on hesitations and indeterminacies in Wiesel's writing, I do not for a moment intend to deny the awful reality of the Holocaust, or to detract from Wiesel's remarkable work as a human rights activist." While Wiesel's fiction is disturbingly enigmatic, Davis says, the pain on every page is radiantly clear.
Colin Davis is a Fellow and Tutor in French at Lady Margaret Hall, Oxford, and a Lecturer in French at Oxford University. He is the author of Michel Tournier: Philosophy and Fiction and has published articles on the relationships between philosophy and fiction. |
|
Of Related Interest
-

The Sword Went Out to Sea
H.D., edited by Cynthia Hogue and Julie Vandivere 9/16/2007
Cloth: $55.00 Paper: $24.95
-

Beckett after Beckett
Edited by S. E. Gontarski and Anthony Uhlmann 3/2/2006
Cloth: $59.95
-

White Women Writers and Their African Invention
Simon Lewis 10/15/2003
Cloth: $55.00
-

A Sentimental Journey and Continuation of the Bramine's Journal
Laurence Sterne, edited by Melvyn New and W. G. Day 4/24/2002
Cloth: $65.00
-
Interpreting Narrative in the Novels of Samuel Beckett
Jonathan Boulter 9/27/2001
Cloth: $59.95
-

Céline, Gadda, Beckett
Norma Bouchard 12/27/2000
narrative representation, and a grotesque and burlesque vision of the world.Cloth: $59.95
-

The Rose in Contemporary Italian Poetry
Thomas E. Peterson 4/30/2000
its status as a central vehicle reflecting the changing tradition, tendencies, and styles of the Italian lyric in 20th century.Cloth: $59.95
-

Italo Calvino
Constance Markey 12/31/1999
Cloth: $59.95
-

The Writing of War
William Cloonan 6/30/1999
to confront the ways in which this conflict was different from previous wars. Pays particular attention to Group 47 in Germany and the New Novelists in France (Celine, Grass, Lenz, Dimon, Wolf).Cloth: $59.95
-
Camus
Anthony Rizzuto 6/30/1998
Cloth: $59.95
|
|
|
|
Copyright ©2006-2012 University Press of Florida
General Inquiries: press@upf.com
All Rights Reserved.
|