A foundational resource for both students and professionals, this book provides a comprehensive, accessible overview of major space policies in the United States and a framework through which to analyze them.
University of Florida Press
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This book looks at the role of waste in Latin American cultural texts from the twentieth and twenty-first centuries. Micah McKay considers how writers and filmmakers engage with the theme and argues that garbage illuminates key limits related to the region’s experience with contemporary capitalism.
This volume provides a comprehensive Latin American perspective on the role of humor in the Spanish- and Portuguese-language Internet, highlighting how online humor influences politics and culture in Latin America.
In this analysis of political discourse in Cuban culture, María de los Ángeles Torres focuses on how the concept of time has been employed by different political projects, arguing that an emphasis on human actions in the present is important for a democratic political culture.
This volume examines NASA’s strong ties to the American South, exploring how the space program and the region have influenced each other since NASA’s founding in 1958.
Filled with exquisite color illustrations, this volume examines an underserved aspect of Asian art history by discussing women artists, collectors, archaeologists, and architects whose efforts have largely been left out of scholarship.
Yvonne Conde presents poignant stories from individuals who left Cuba between 1960 and 1962 in one of the world’s largest political exoduses of children.
Through a variety of first-person accounts, this book offers a glimpse into the frequently misunderstood religions of Afro-Cuban Lukumí, Haitian Vodou, and Brazilian Candomblé, adding to the growing research on the transnational yet personal nature of African diasporic religions.
This volume explores the main trends, genres, and themes that define the emerging filmmaking industry in Central America, providing a needed overview of one of the least explored cinemas in the world.
Examining material and cultural representations of the cosmonaut program, Cathleen Lewis discusses how the public image of the Soviet cosmonaut developed beginning in the 1950s and the ways this icon has been reinterpreted throughout the years and in contemporary Russia.