Juan Ramos uses “decolonial aesthetics,” a theory that frees the idea of art from Eurocentric forms of expression and philosophies of the beautiful, to examine the long decade of the 1960s in Latin America—a time of cultural production that has not been studied extensively from a decolonial perspective.
Examining ceramics from eighteenth-century household sites in Jerez de la Frontera, Spain, and St. Augustine, Florida, Setting the Table opens up new interpretations of cultural exchange and identity in the early modern Spanish empire.
In 1958, a panel funded by the Office of Naval Research initiated the formation of the International Shark Attack File, the first comprehensive documentation of shark attacks on a global and historical level. Travel the globe with Burgess, the Sherlock Holmes of shark attacks, as he studies mauled remains and the scars of the lucky survivors.
Using archaeological and archival information, Chenoweth reveals how a web of connections led to the community’s establishment, how Quaker religious practices intersected with other aspects of daily life in the Caribbean, and how these practices were altered to fit a slavery-based economy and society.