In 2010, artist and biologist Brandon Ballengée saw firsthand the largest environmental disaster in United States history—the Deepwater Horizon oil spill. Within this book are his visual responses to the tragedy; locked in jars, suspended in alcohol, posed in petri dishes, Ballengée’s forms tell stories of species altered and obliterated.
Morgan was unique among architects for his interest in ancient North America and for blending a modern style characterized by its rejection of history with the design language of prehistory. Highlighting how his work has impacted many areas of architecture such as urban design, this book celebrates Morgan’s continuing legacy.
Published in conjunction with a major exhibition at the Samuel P. Harn Museum of Art, this catalogue examines an era of rapid, radical, and irrevocable ecological change through scholarly essays and works of art by 45 contemporary international artists.
“Richard Heipp progresses the dialogue between painting and photography, exploiting mechanical processes to alter the viewer’s visual and physical interactions with a painting. Although his paintings are manually produced, they begin as 35mm photographs or high resolution digital scans. They are at once pictorial illusions while also being interactive objects that force us to shift our viewpoints in order to better realize their physical and formal features.
This catalog adopts the theme of ‘refinement’ and seeks to decolonize this notion through a juxtaposition of art and historical artifacts from the southeastern United States with Duval-Carrié’s contemporary work.
This book chronicles the genesis, development, and ultimate abandonment of the Zeta Beta Tau fraternity house Wright created for students of the University of Florida, as told by a then-architecture student and member of the ZBT fraternity who assisted Wright.