In this exploration of Colombian drug lord Pablo Escobar’s impact on popular culture, Aldona Bialowas Pobutsky shows how Escobar’s legacy inspired the development of narcocultura—television, music, literature, and fashion representing the drug-trafficking lifestyle—in Colombia and around the world.
This volume explores works from Latin American literary and visual culture that question what it means to be human and how the nonhuman world helps define personhood. In doing so, it provides new perspectives on how the region challenges and adds to global conversations about humanism and the posthuman.
Challenging the common view that Latin America has lagged behind Europe and North America in the global history of science, this volume reveals that the region has long been a center for scientific innovation and imagination. It highlights the important relationship between science, politics, and culture in Latin American history.
Filled with colorful photographs and infused with the joy of two expert chefs celebrating the foods that are closest to their hearts, Taste the Islands brings the places, histories, and rhythms of the Caribbean into your home kitchen.
Edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez
Pub Date: 4/8/2020
This volume provides a hemispheric view of the practice of digital humanities in the Spanish- and Portuguese-speaking Americas. These essays examine how participation and research in new media have helped configure new identities and collectivities in the region.
The Insubordination of Photography is the first book to analyze how various collectives, organizations, and independent media used photography to expose and protest the crimes of Chilean dictator Augusto Pinochet’s regime. Featuring never-before-seen photos and other archival material, this book reflects on the integral role of images in public memory and issues of reparation and justice.
After the end of the Mexican Revolution in 1917, post-revolutionary leaders hoped to assimilate the country’s racially diverse population into one official mixed-race identity—the mestizo. This book shows that as part of this vision, the Mexican government believed it could modernize “primitive” indigenous peoples through technology in the form of education, modern medicine, industrial agriculture, and factory work. David Dalton takes a close look at how authors, artists, and thinkers—some state-funded, some independent—engaged with official views of Mexican racial identity from the 1920s to the 1970s.