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In these often-overlooked centuries, Martínez-Fernández finds the roots of many of Cuba’s enduring economic, political, social, and cultural complexities. The result is a sweeping history, a seminal text that makes clear that to fully grasp revolutionary or contemporary Cuba we must first understand what came before.
This catalog adopts the theme of ‘refinement’ and seeks to decolonize this notion through a juxtaposition of art and historical artifacts from the southeastern United States with Duval-Carrié’s contemporary work.
Between April and September 1980, more than 125,000 Cuban refugees fled their homeland, seeking freedom from Fidel Castro’s dictatorship. They departed in boats from the port of Mariel and braved the dangerous 90-mile journey across the Straits of Florida. Told in the words of the immigrants themselves, the stories in Voices from Mariel offer an up-close view of this international crisis, the largest overseas mass migration in Latin American history.
Juan Ramos uses “decolonial aesthetics,” a theory that frees the idea of art from Eurocentric forms of expression and philosophies of the beautiful, to examine the long decade of the 1960s in Latin America—a time of cultural production that has not been studied extensively from a decolonial perspective.
Telling Migrant Stories explores how contemporary documentary film gives voice to Latin American immigrants whose stories would not otherwise be heard.
Beautifully illustrated with colorful photographs, this volume traces the living heritage of locally made pottery in the English-speaking Caribbean.
This book tells the little-known story of how the United States used modern art as a cultural defense strategy in South America during World War II.
Moving beyond the traditional study of Hispanic literature on a nation-by-nation basis, this volume explores how globalization is currently affecting Spanish and Latin American fiction, poetry, and literary theory.
