Any observer of Dominican political and literary discourse will quickly notice the prevalence of certain notions of hyper-masculinity. In this extraordinary work, Maja Horn argues that these gender conceptions became ingrained during the dictatorship (1930-1961) of Rafael Leonidas Trujillo, as well as through the U.S. military occupation that preceded it.
Drawing on his personal experiences as a graduate student, a Roman Catholic priest in the region and his extensive archival research, Early constructs detailed case histories of the Maya uprisings against the governments of Guatemala and Mexico, exploring Liberation Catholicism’s integral role in these rebellions as well as in the evolutions of Maya and Catholic theologies.
Although one of Latin America’s most significant postwar art movements, Nueva Figueración has long been overlooked in studies of modern art. In this first comprehensive examination of the movement, Patrick Frank explores the work of four artists at its heart--Ernesto Deira, Rómulo Macció, Luis Felipe Noé, and Jorge de la Vega--to demonstrate the importance of their work in the transnational development of modern art.
Fritz Müller (1821-1897), though not as well known as his colleague Charles Darwin, belongs in the cohort of great nineteenth-century naturalists. Recovering Müller's legacy, David A. West describes the close intellectual kinship between Müller and Darwin and details a lively correspondence that spanned seventeen years.
Segundo J. Fernandez, Juan A. Martínez, and Paul Niell
Cuban Art in the Twentieth Century is an historical progression of works by important artists from a complex modern movement described by several discrete periods: Colonial, Early Republic, First Generation, Second Generation, Third Generation, Late Modern, and Contemporary Periods.