Gathering oral stories and visual art from Haiti and two of its "motherlands" in Africa, Istwa across the Water recovers the submerged histories of the island through methods drawn from its deep spiritual and cultural traditions.
Edited by Jorge Aguilar Mora, Josefa Salmón, and Barbara C. Ewell
This anthology brings together more than sixty primary texts to offer an ambitious introduction to Spanish American thought and culture. Myths, poetry, memoirs, manifestos, and fiction are translated from Spanish to English, some for the first time.
Who Owns Haiti? explores the role of international actors in the country's sovereign affairs while highlighting the ways in which Haitians continually enact their own independence on economic, political, and cultural levels.
This incredible cookbook, filled with hundreds of recipes that were used by people of all nationalities during the American Era, represents the merging of all those cultures. It aims to preserve the unique cultural and historical heritage of those dedicated men and women who labored to make the Canal truly one of the World’s greatest accomplishments.
Between the mid-nineteenth and mid-twentieth centuries, an influx of Europeans, Asians, and Arabic speakers indelibly changed the face of Latin America. While many studies of this period focus on why the immigrants came to the region, this volume addresses how the newcomers helped construct national identities in the Caribbean, Mexico, Argentina, and Brazil.
Any observer of Dominican political and literary discourse will quickly notice the prevalence of certain notions of hyper-masculinity. In this extraordinary work, Maja Horn argues that these gender conceptions became ingrained during the dictatorship (1930-1961) of Rafael Leonidas Trujillo, as well as through the U.S. military occupation that preceded it.
Although one of Latin America’s most significant postwar art movements, Nueva Figueración has long been overlooked in studies of modern art. In this first comprehensive examination of the movement, Patrick Frank explores the work of four artists at its heart--Ernesto Deira, Rómulo Macció, Luis Felipe Noé, and Jorge de la Vega--to demonstrate the importance of their work in the transnational development of modern art.