Even without the right to vote, members of the United Daughters of the Confederacy proved to have enormous social and political influence throughout the South--all in the name of preserving Confederate culture. Karen L. Cox's history of the UDC, an organization founded in 1894 to vindicate the Confederate generation and honor the Lost Cause, shows why myths surrounding the Confederacy continue to endure.
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Previously published histories and primary source collections on the Iraqi experience tend to be topically focused or dedicated to presenting a top-down approach. By contrast, Stacy Holden's A Documentary History of Modern Iraq gives voice to ordinary Iraqis, clarifying the experience of the Shiites, Sunnis, Kurds, Jews, and women over the past century.
Looking at the work of Junot Díaz, Cristina García, Julia Alvarez, and other Latino/a authors who are U.S. citizens, Marta Caminero-Santangelo examines how writers are increasingly expressing their solidarity with undocumented immigrants.
While previous studies of dogs in human history have focused on how people have changed the species through domestication, this volume offers a rich archaeological portrait of the human-canine bond. Contributors investigate the ways people have viewed and valued dogs in different cultures around the world and across the ages.
How did the political party of Lincoln--of emancipation--become the party of the South and of white resentment? How did Jefferson Davis’s old party become the preferred choice for most southern blacks?
From the introduction by Adam N. Justice:
“Richard Heipp progresses the dialogue between painting and photography, exploiting mechanical processes to alter the viewer’s visual and physical interactions with a painting. Although his paintings are manually produced, they begin as 35mm photographs or high resolution digital scans. They are at once pictorial illusions while also being interactive objects that force us to shift our viewpoints in order to better realize their physical and formal features.
Dan’s Cave looks like the entrance to the underworld. Two divers swim along a luminous blue-green passage, flashlights cutting through the water, a dark mass of stalactites suspended overhead. This is the breathtaking National Geographic cover photo taken by Wes Skiles (1958–2010), a top nature photographer who died in a diving accident before the issue was published.