“The story of this Florida legend-maker will suck you in to its pages. . . . A delight.”—Creative Loafing Tampa Bay
“While reading Record Man, music fans might want to open a YouTube link so they can listen to old songs as they read about how they became hits.”—Sarasota Herald-Tribune
“A vivid picture of the American music industry in the second half of the 20th century. . . . [An] intriguing, complicated and multi-valanced story.”—Florida Weekly
“Phil Gernhard was complicated. That said, his story is a complicated part of what has made pop music, in several forms, stay just a little bit longer.”—Elmore Magazine
"Enigma, wunderkind, control freak, visionary, raconteur, artist advocate, shameless hustler and, in the end, kind heart, Gernhard spent four and a half decades chasing recording art and blatant novelty with the same dogged determination. Gernhard's achievements in the music business rival those of Rick Hall, Mike Curb, Phil Walden, and perhaps even Sam Phillips."--Rodney Crowell, singer-songwriter
"DeYoung hooks Phil Gernhard's genius, discipline, and love of music right up to the side of his selfindulgent, carny, smarmy business practices. I had no idea what a huge swath of great work he'd cut, starting right in his own backyard."--Stan Lynch, songwriter and producer
"A great rock 'n' roll story that's been hiding in plain sight. It's the last half century of American music wrapped up in the story of one man."--William McKeen, author of Everybody Had an Ocean: Music and Mayhem in 1960s Los Angeles
"Captures one of the most unheard of and intriguing stories to come from the colorful world of American pop music--the life of Phil Gernhard, a driven hit-maker who never let anyone get in his way."--Steve Huntington, DJ, Radio Margaritaville
In 1960, "Stay" reached number one on the charts. The song was impossible to get out of your head: Stay—aaah—just a little bit longer. The innocuously catchy R&B song was produced by Phil Gernhard for South Carolina doo-wop group Maurice Williams and the Zodiacs. At just 19 years old and with no formal training, Gernhard was a go-getting, red-headed kid eager to break into the music business. "Stay" was just the beginning of a career that would span nearly fifty years' worth of chart-topping songs.
Phil Gernhard, Record Man is the story of a self-made music mogul who dropped out of law school to open a tiny office and studio in Florida and went on to produce hits that would rock the airwaves and resonate throughout the country. He cowrote the Royal Guardsmen's "Snoopy vs. the Red Baron," America's fastest-selling single of 1966. He revived the career of singer Dion DiMucci with the ballad "Abraham, Martin and John," which sold over a million records. He discovered and produced hit records for Lobo, Jim Stafford, and the Bellamy Brothers. Through a long collaboration with music business icon Mike Curb, he launched to fame many others, including country superstars Tim Mc-Graw and Rodney Atkins. In Nashville and Los Angeles, Phil Gernhard was a legend.
Yet Gernhard's private life was crumbling. He battled physical and emotional demons that he simply couldn't overcome, struggling with alcoholism and drug addiction. He also never quite overcame the scars left by an emotionally abusive father. He was in the process of divorcing his fourth wife when he took his own life in 2008.
Through interviews with Gernhard's musicians, business partners, family members, friends, and ex-wives, Bill DeYoung offers an intimate portrait of an eccentric and troubled musical genius who channeled his talent, ego, and ambition into the success of others. A true "record man," Gernhard did it all. He lived to make records into gold, to make unknowns into stars, and above all, to make music that lasted.
Bill DeYoung is the author of Skyway: The True Story of Tampa Bay's Signature Bridge and the Man Who Brought It Down. Nationally recognized for his music journalism, he was a writer and editor at various Florida and Georgia newspapers for over three decades.
The story of this Florida legend-maker will suck you in to its pages. . . . A delight.
--Creative Loafing Tampa Bay
While reading Record Man, music fans might want to open a YouTube link so they can listen to old songs as they read about how they became hits.
DeYoung does a fine job documenting Gernhard’s impressive work.
--Tampa Bay Online
A vivid picture of the American music industry in the second half of the 20th century. . . . [An] intriguing, complicated and multi-valanced story.