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Redefining the bases and scope of modern Islamic thought, Moussalli suggests that Islamic fundamentalism might prove to be a liberating theology for the modern Islamic world.

Exploring practical applications of digital and computational approaches to heritage studies and archaeology, this volume addresses digitization at museums and other heritage institutions, public and community engagement with archaeology using digital tools, and the teaching of digital methods to both students and professionals.

An insider’s view of the Castro brothers’ rule

Bioarchaeology and Identity in the Americas represents an important shift in the interpretation of skeletal remains in the Americas.

This book uses historical and contemporary archaeology to explore the past 400 years of American protest history, revealing how ideals such as equality, prosperity, and self-determination have been challenged and negotiated through protests and connecting today’s protest movements to those that came long before.

Bioarchaeological studies of children have, until recently, centered on population data- driven topics like mortality rates and growth and morbidity patterns. This volume examines emerging issues in childhood studies, looking at historic and prehistoric contexts and framing questions about the nature and quality of children’s lives. 

In this book, Paul Mullins examines a wide variety of material objects and landscapes that induce anxiety, provoke unpleasantness, or simply revolt us, looking at the way the material world shapes how we imagine, express, and negotiate difficult historical experiences.

This volume explores the main trends, genres, and themes that define the emerging filmmaking industry in Central America, providing a needed overview of one of the least explored cinemas in the world.

This book provides a fresh assessment of the works of British-born poet and painter Mina Loy. Laura Scuriatti shows how Loy’s “eccentric” writing and art celebrate ideas and aesthetics central to the modernist movement while simultaneously critiquing them, resulting in a continually self-reflexive and detached stance that Scuriatti terms “critical modernism.”