This book uses historical and contemporary archaeology to explore the past 400 years of American protest history, revealing how ideals such as equality, prosperity, and self-determination have been challenged and negotiated through protests and connecting today’s protest movements to those that came long before.
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Bioarchaeological studies of children have, until recently, centered on population data- driven topics like mortality rates and growth and morbidity patterns. This volume examines emerging issues in childhood studies, looking at historic and prehistoric contexts and framing questions about the nature and quality of children’s lives.
In this book, Paul Mullins examines a wide variety of material objects and landscapes that induce anxiety, provoke unpleasantness, or simply revolt us, looking at the way the material world shapes how we imagine, express, and negotiate difficult historical experiences.
This volume explores the main trends, genres, and themes that define the emerging filmmaking industry in Central America, providing a needed overview of one of the least explored cinemas in the world.
This book provides a fresh assessment of the works of British-born poet and painter Mina Loy. Laura Scuriatti shows how Loy’s “eccentric” writing and art celebrate ideas and aesthetics central to the modernist movement while simultaneously critiquing them, resulting in a continually self-reflexive and detached stance that Scuriatti terms “critical modernism.”
In Brazilian Propaganda, Nina Schneider examines the various modes of official, and unofficial, propaganda used by an authoritarian regime.
Tooth modification has been practiced throughout many time periods and places to convey information about individual people, their societies, and their relationships to others. This volume represents the wide spectrum of intentional dental modification in humans across the globe over the past 16,000 years.
Barbara Lounsberry traces Woolf’s development as a writer through her first twelve diaries--a fascinating experimental stage, where the earliest hints of Woolf’s pioneering modernist style can be seen.