Search Results for 'broadcasting modernism'

With this first major study of the historical context of the English and Irish Bildungsroman, Gregory Castle revisits the genre with a special interest in self-development and identity, as well as the viability of the classical concept of Bildung in the modernist era.

This book offers a fresh look at the modernist writers, revealing how their rejection of organized religion and the colonial presence in their native countries allowed them to destabilize traditional notions of power, colonialism, and individual freedom in their texts. The result is an engaging and enlightening investigation of their writings and of the larger literary movement to which they belonged.

From his World War I service in Italy through his transformational return visits during the decades that followed, Ernest Hemingway's Italian experiences were fundamental to his artistic development. Hemingway and Italy offers essays from top scholars, exciting new voices, and people who knew Hemingway during his Italian days, examining how his adopted homeland shaped his writing and his legacy.

Set during the World War II air raids in London, H.D.'s fascinating and visionary novel, Majic Ring, documents her spiritualist activities during this time.

Addressing James Joyce’s borderlessness and the ways his work crosses or unsettles boundaries of all kinds, the essays in this volume position borderlessness as a major key to understanding Joycean poiesis, opening new doors and new engagements with his work.

Analyzing works of contemporary Cuban writers on the island alongside those in exile, Elena Lahr-Vivaz offers a new lens to explore the multiplicity of Cuban space and identity, arguing that these writers approach their nation as part of a larger, transnational network of islands.

The work of the 1960s Caracas-based art collective El Techo de la Ballena (The Roof of the Whale) was called “subversive” and “art terrorism” and seen as a threat to Venezuela’s national image as an emerging industrial power. This volume details the historical and social contexts that shaped the collective, exploring how its anti-art aesthetic highlighted the shortcomings of the country’s newfound oil wealth and transition to democracy.