Buy Books: Browse by Season: Fall 2017

Fall 2025 - Spring 2025 - Fall 2024 - Spring 2024 - Fall 2023 - Spring 2023

Please note that while you may order forthcoming books at any time, they will not be available for shipment until shortly before publication date

Book Cover

A Guide-Book of Florida and the South, for Tourists, Invalids, and Emigrants

Book Cover

Petals Plucked from Sunny Climes

Book Cover

Empire in Transition: The Portuguese World in the Time of Camões

Book Cover

The Humble Petition of Denys Rolle, Esq.

Book Cover

The Immigrant World of Ybor City: Italians and Their Latin Neighbors in Tampa, 1885–1985

Book Cover

Slavery and Plantation Growth in Antebellum Florida, 1821–1860

Book Cover

The Shadow of Selma

The Shadow of Selma provides a comprehensive assessment of the 1965 civil rights campaign, the historical memory of the marches, and the continuing relevance of and challenges to the Voting Rights Act. The essays consider Selma not just as a keystone event but, much like Ferguson today, as a transformative place: a supposedly unimportant location that became the focal point of epochal historical events.

Book Cover

Telling Migrant Stories: Latin American Diaspora in Documentary Film

Telling Migrant Stories explores how contemporary documentary film gives voice to Latin American immigrants whose stories would not otherwise be heard. 

 

Book Cover

The Revolution That Failed: Reconstruction in Natchitoches

The chaotic years after the Civil War are often seen as a time of uniquely American idealism—a revolutionary attempt to rebuild the nation that paved the way for the civil rights movement of the twentieth century. But Adam Fairclough rejects this prevailing view, challenging prominent historians such as Eric Foner and James McPherson. He argues that Reconstruction was, quite simply, a disaster and that the civil rights movement triumphed despite it, not because of it.

Book Cover

Sensing Decolonial Aesthetics in Latin American Arts

Juan Ramos uses “decolonial aesthetics,” a theory that frees the idea of art from Eurocentric forms of expression and philosophies of the beautiful, to examine the long decade of the 1960s in Latin America—a time of cultural production that has not been studied extensively from a decolonial perspective.