Duvalier’s Ghosts offers novel and compelling interpretations of several well-known Haitian-born authors such as Edwidge Danticat and Dany Laferrière, particularly regarding U.S. intervention in their homeland.
This unique collection synthesizes our archaeological and biological knowledge about the pre-Columbian settlement of the Caribbean and highlights the various techniques we can use to analyze human migration and settlement patterns throughout history.
This book offers a fresh look at the modernist writers, revealing how their rejection of organized religion and the colonial presence in their native countries allowed them to destabilize traditional notions of power, colonialism, and individual freedom in their texts. The result is an engaging and enlightening investigation of their writings and of the larger literary movement to which they belonged.
Eric Walrond, edited by Louis J. Parascandola and Carl A. Wade
Pub Date: 7/25/2017
Eric Walrond is one of the great underexamined figures of the Harlem Renaissance and the Caribbean diaspora. Compiling Walrond’s European journalism and later fiction, as well as the pieces he wrote during the 1950s at Roundway Hospital in Wiltshire, England, where he was a voluntary patient, this collection at last fills in the biographical gaps in Walrond’s life. It provides insights into the contours of his later work and the cultural climates in which he functioned between 1928 and his death in 1966.
Anne Fountain argues that it was in the United States that Martí--confronted by the forces of manifest destiny, the influence of race in politics, the legacy of slavery, and the plight and promise of the black Cuban diaspora--fully engaged with the specter of racism. Examining Martí's complete works with a focus on key portions, Fountain reveals the evolution of his thinking on the topic, indicating the significance of his sources, providing a context for his writing, and offering a structure for his works on race.
Looking at the writing of three Irish expatriates who lived in Trieste, London, and Paris, Nels Pearson challenges conventional critical trends that view their work as either affirming Irish anti-colonial sentiment or embracing international identity.