This volume explores the main trends, genres, and themes that define the emerging filmmaking industry in Central America, providing a needed overview of one of the least explored cinemas in the world.
Reframing Media, Technology, and Culture in Latin/o America
Edited by Héctor Fernández L'Hoeste, and Juan Carlos RodríguezSeries Description:
Reframing Media, Technology, and Culture in Latin/o America explores how Latin American and Latino audiovisual (film, television, digital), musical (radio, recordings, live performances, dancing), and graphic (comics, photography, advertising) cultural practices reframe and reconfigure social, economic, and political discourses at a local, national, and global level. In addition, it looks at how information networks reshape public and private policies, and the enactment of new identities in civil society. The series also covers how different technologies have allowed and continue to allow for the construction of new ethnic spaces. It not only contemplates the interaction between new and old technologies but also how the development of brand-new technologies redefines cultural production.
For more Information:
Héctor Fernández L'Hoeste
Professor
fernandez@gsu.edu
Juan Carlos Rodríguez
Associate Professor of Spanish
juan.rodriguez@modlangs.gatech.edu
There are 12 books in this series.
Please note that while you may order forthcoming books at any time, they will not be available for shipment until shortly before publication date
An incisive analysis of contemporary crime film in Brazil, this book focuses on how movies in this genre represent masculinity and how their messages connect to twenty-first-century sociopolitical issues.
This volume challenges the dismissal of Mexican filmmaking during the 1960s through 1980s, an era long considered a low-budget departure from the nation’s earlier Golden Age, examining the critical implications of discovering, uncovering, and recovering forgotten or ignored films.
This volume presents examples of how digital technologies are being used by people of African descent in South America and the Caribbean as a means to achieve social justice and to challenge racist images of Afro-descendant peoples.
This volume argues that recent technological developments are reconfiguring the cultural, economic, social, and political spheres of Cuba’s Revolutionary project in unprecedented ways.
In the first history of Spanish-language television in the United States, Craig Allen traces the development of two prominent yet little-studied powerhouses, Univision and Telemundo. Allen tells the inside story of how these networks fought enormous odds to rise as giants of mass communication, questioning monolingual and Anglo-centered versions of U.S. television history.
In this book, Eli Carter explores the ways in which the movement away from historically popular telenovelas toward new television and internet series is creating dramatic shifts in how Brazil imagines itself as a nation, especially within the context of an increasingly connected global mediascape.
In this exploration of Colombian drug lord Pablo Escobar’s impact on popular culture, Aldona Bialowas Pobutsky shows how Escobar’s legacy inspired the development of narcocultura—television, music, literature, and fashion representing the drug-trafficking lifestyle—in Colombia and around the world.
This volume provides a hemispheric view of the practice of digital humanities in the Spanish- and Portuguese-speaking Americas. These essays examine how participation and research in new media have helped configure new identities and collectivities in the region.
The Insubordination of Photography is the first book to analyze how various collectives, organizations, and independent media used photography to expose and protest the crimes of Chilean dictator Augusto Pinochet’s regime. Featuring never-before-seen photos and other archival material, this book reflects on the integral role of images in public memory and issues of reparation and justice.