Reframing Media, Technology, and Culture in Latin/o America

Edited by Héctor Fernández L'Hoeste and Juan Carlos Rodríguez

Series Description:

Reframing Media, Technology, and Culture in Latin/o America explores how Latin American and Latino audiovisual (film, television, digital), musical (radio, recordings, live performances, dancing), and graphic (comics, photography, advertising) cultural practices reframe and reconfigure social, economic, and political discourses at a local, national, and global level. In addition, it looks at how information networks reshape public and private policies, and the enactment of new identities in civil society. The series also covers how different technologies have allowed and continue to allow for the construction of new ethnic spaces. It not only contemplates the interaction between new and old technologies but also how the development of brand-new technologies redefines cultural production.

For more Information:

Héctor Fernández L'Hoeste
Professor
fernandez@gsu.edu

Juan Carlos Rodríguez
Associate Professor of Spanish
juan.rodriguez@modlangs.gatech.edu


There are 14 books in this series.


Please note that while you may order forthcoming books at any time, they will not be available for shipment until shortly before publication date

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Tropical Time Machines: Science Fiction in the Contemporary Hispanic Caribbean

Exploring works of science fiction originating from Spanish-speaking parts of the Caribbean and their diasporas, this book shows how writers, filmmakers, musicians, and artists are using the language of the genre to comment on the region’s history and present-day realities.

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Internet, Humor, and Nation in Latin America

This volume provides a comprehensive Latin American perspective on the role of humor in the Spanish- and Portuguese-language Internet, highlighting how online humor influences politics and culture in Latin America.

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The Rise of Central American Film in the Twenty-First Century

This volume explores the main trends, genres, and themes that define the emerging filmmaking industry in Central America, providing a needed overview of one of the least explored cinemas in the world.

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Neo-Authoritarian Masculinity in Brazilian Crime Film

An incisive analysis of contemporary crime film in Brazil, this book focuses on how movies in this genre represent masculinity and how their messages connect to twenty-first-century sociopolitical issues.

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The Lost Cinema of Mexico: From Lucha Libre to Cine Familiar and Other Churros

This volume challenges the dismissal of Mexican filmmaking during the 1960s through 1980s, an era long considered a low-budget departure from the nation’s earlier Golden Age, examining the critical implications of discovering, uncovering, and recovering forgotten or ignored films.

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Afro-Latinx Digital Connections

This volume presents examples of how digital technologies are being used by people of African descent in South America and the Caribbean as a means to achieve social justice and to challenge racist images of Afro-descendant peoples.

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Cuba’s Digital Revolution: Citizen Innovation and State Policy

This volume argues that recent technological developments are reconfiguring the cultural, economic, social, and political spheres of Cuba’s Revolutionary project in unprecedented ways.

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Univision, Telemundo, and the Rise of Spanish-Language Television in the United States

In the first history of Spanish-language television in the United States, Craig Allen traces the development of two prominent yet little-studied powerhouses, Univision and Telemundo. Allen tells the inside story of how these networks fought enormous odds to rise as giants of mass communication, questioning monolingual and Anglo-centered versions of U.S. television history.

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The New Brazilian Mediascape: Television Production in the Digital Streaming Age

In this book, Eli Carter explores the ways in which the movement away from historically popular telenovelas toward new television and internet series is creating dramatic shifts in how Brazil imagines itself as a nation, especially within the context of an increasingly connected global mediascape.

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Pablo Escobar and Colombian Narcoculture

In this exploration of Colombian drug lord Pablo Escobar’s impact on popular culture, Aldona Bialowas Pobutsky shows how Escobar’s legacy inspired the development of narcocultura—television, music, literature, and fashion representing the drug-trafficking lifestyle—in Colombia and around the world.