Published in conjunction with a major exhibition at the Samuel P. Harn Museum of Art, this catalogue examines an era of rapid, radical, and irrevocable ecological change through scholarly essays and works of art by 45 contemporary international artists.
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This catalog adopts the theme of ‘refinement’ and seeks to decolonize this notion through a juxtaposition of art and historical artifacts from the southeastern United States with Duval-Carrié’s contemporary work.
This book chronicles the genesis, development, and ultimate abandonment of the Zeta Beta Tau fraternity house Wright created for students of the University of Florida, as told by a then-architecture student and member of the ZBT fraternity who assisted Wright.
Among the modernist architects who transformed postwar Florida into a laboratory of regionalist architecture, Alfred Browning Parker was an Iconoclast. He shared the conviction, common among young architects in Miami, that an authentic regional architecture had not yet been "invented." Inspired by the power of place and eager to innovate, Parker became a disciple of American traditions and the region's foremost organic architect.
Filled with vibrant images of Barnhill’s unique creations, precursors to the popular landscape art of the Highwaymen and others, this book showcases a little-known artist whose inventive techniques--particularly his uranium-dye coloring--merit a place in the story of American photography.
In Thatched Roofs and Open Sides, Carrie Dilley reveals the design, construction, history, and cultural significance of the chickee, the unique Seminole structure made of palmetto and cypress.
Full of vivid photographs, vintage advertisements, and interviews with employees and patrons, Remembering Paradise Park portrays a place of delight and leisure during the painful era of Jim Crow.