Browse by Subject: Arts

An incisive analysis of contemporary crime film in Brazil, this book focuses on how movies in this genre represent masculinity and how their messages connect to twenty-first-century sociopolitical issues.

Delivering Cuba Through the Mail: Cuba’s Presence in Non-Cuban Postage Stamps and Envelopes explores the many ways in which the island of Cuba has been immortalized in stamps and envelopes from outside of Cuba. The protagonist of this book is Cuba itself, seen through the eyes of stamp creators outside of Cuba.

This book illuminates how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity, tracing this relationship throughout nearly half a century of developments in Mexican dance from the 1920s to the 1960s.

Encompassing works by Cubans on the island, in exile, and born in America, this volume delves into defining moments in Cuban art across three centuries, offering a kaleidoscopic view of the island’s people, culture, and history.  

Beautifully illustrated with colorful photographs, this volume traces the living heritage of locally made pottery in the English-speaking Caribbean.

This book explores the many ways in which the island of Cuba has been immortalized in ceramic pieces. While the works of several Cuban ceramists are present in these pages, this is not a book about Cuban ceramics featuring Cuban artists working in that medium. The protagonist of this book is Cuba itself, seen through the eyes of ceramists—native and foreign.

Abundantly illustrated, this volume is a pioneering survey of the ancient art of the entire Caribbean region. While previous studies have focused on the Greater Antilles—Cuba, Haiti, the Dominican Republic, Puerto Rico, and Jamaica—this is the first book also to include the islands of the eastern Caribbean and their ties to pre-Columbian Venezuela.  

This book tells the little-known story of how the United States used modern art as a cultural defense strategy in South America during World War II. 

The work of the 1960s Caracas-based art collective El Techo de la Ballena (The Roof of the Whale) was called “subversive” and “art terrorism” and seen as a threat to Venezuela’s national image as an emerging industrial power. This volume details the historical and social contexts that shaped the collective, exploring how its anti-art aesthetic highlighted the shortcomings of the country’s newfound oil wealth and transition to democracy.

This is the first volume to bring together archaeology, anthropology, and art history in the analysis of pre-Columbian pottery. While previous research on ceramic artifacts has been divided by these three disciplines, this volume shows how integrating these approaches provides new understandings of many different aspects of Ancient American societies.