Published in conjunction with a major exhibition at the Samuel P. Harn Museum of Art, this catalogue examines an era of rapid, radical, and irrevocable ecological change through scholarly essays and works of art by 45 contemporary international artists.
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Lewis Carroll’s masterpiece, Through the Looking Glass, is brought to life in the stunning artwork of Maggie Taylor. Her prints incorporate photographic elements, scanned illustrations, sculptures, and artifacts pinned against timeless backgrounds.
This brilliantly illustrated volume assembles the perspectives of art historians, critics, curators, and museum directors from major universities and museums around the world to trace the varied and dynamic experiences of Korean art acquisitions over the past century.
This book chronicles the genesis, development, and ultimate abandonment of the Zeta Beta Tau fraternity house Wright created for students of the University of Florida, as told by a then-architecture student and member of the ZBT fraternity who assisted Wright.
Aftermath: The Fallout of War--America and the Middle East captures the response of artists to the impact of war on people and their environments. Writers, poets, and photographers band together to transform destruction into enlightenment, aggression into empathy, and scars into hope.
Presenting the complete set of Tokaido gojusan tsui prints in vivid color, along with text from the woodcuts transcribed and translated from the Japanese, this book is an invaluable resource for collectors, art historians, and students of this classic technique.
This book includes eight essays and a short story that examine various aspects of history, culture, literature, and sociology to shed light on how American artists embraced and transformed the style and themes of Monet and other French artists.
This retrospective features the largest number of Uelsmann images ever collected in a single volume, and some never-before reproduced. Drawn from his entire career, they show both the evolution of his technique and the solidity of his vision.
The essays in Original Intentions explore the highly controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture.