Challenging the tendency of scholars to view women writers of the modernist era as isolated artists who competed with one another for critical and cultural acceptance, Women Making Modernism reveals the robust networks women created and maintained that served as platforms and support for women’s literary careers. This volume shows how women’s writing communities interconnected to generate a current of energy, innovation, and ambition that was central to the modernist movement.
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An award-winning collection from an acclaimed contemporary poet
Contributors to this collection consider the multiplicity and instability of medieval French literary identity, arguing that it is fluid and represented in many different ways. Inherently unstable, identity is created, re-created, adopted, refused, imposed, and self-imposed. Additionally, taken together the essays posit that an individual may identify with a group, existing within it, and yet remain foreign to it.
This book provides a fresh assessment of the works of British-born poet and painter Mina Loy. Laura Scuriatti shows how Loy’s “eccentric” writing and art celebrate ideas and aesthetics central to the modernist movement while simultaneously critiquing them, resulting in a continually self-reflexive and detached stance that Scuriatti terms “critical modernism.”
Known in Cuba as a poet, essayist, translator, and professor, Saldana won the prestigious Nicholas Guillen Award for Distinction in Poetry in 1998 and the La Rosa Blanca Prize for La Noche, a children's book, in 1989. Before her death in 1999, most of her work had appeared in Spanish exclusively in Cuba with only scattered translations. This collection emphasizes her construction of a personal and poetic autobiography to reveal the identity of one of the best Afro-Caribbean poets of the twentieth century.
Affective Materialities breaks ground by reexamining modernist theorizations of the body, opening up artistic, political, and ethical possibilities at the intersection of affect theory and ecocriticism, two recent directions in literary studies not typically brought into conversation.
From the vast complexities of a world in which synesthesia is our natural translator, Allan Peterson’s poems convey the consistent message that the ordinary isn’t. Selected from books and chapbooks covering almost thirty years of writing, Peterson’s work draws heavily from landscapes like the Gulf Coast, the sciences, history, and the author’s background in visual arts.
Marked by a rejection of traditional affiliations such as nation, family, and religion, modernism is often thought to privilege the individual over the community. The contributors to this volume question this assumption, uncovering the communal impulses of the modernist period across genres, cultures, and media.
The diverse topics and methodologies assembled here illustrate how food studies can enrich research in the literary and visual arts. A milestone volume, this collection introduces possibilities for understanding the connection between modernist aesthetics and the emerging food cultures of a globalizing world.
At the turn of the twentieth century, new technologies such as the phonograph, telephone, and radio changed how sound was transmitted and perceived. In Modernist Soundscapes, Angela Frattarola analyzes the influence of “the age of noise” on writers of the time, showing how modernist novelists used sound to bridge the distance between characters and to connect with the reader on a more intimate level.