How the legacy of Pablo Escobar inspired the development of narcoculture in Colombia and around the world
 
“Aldona Pobutsky’s book must be included among the most comprehensive and groundbreaking works on Pablo Escobar, the seemingly inexhaustible muse of a particular flavor of narcoculture that transcended the borders of Colombia to reach worldwide notoriety. . . . Highly researched and complete with entertaining illustrations, it is a landmark and an essential reading for the ‘narco curious’ and scholars alike.”—Studies in Latin American Popular Culture    
 
“Takes account of this evolving myth through an analysis of memoirs, fiction, movies, telenovelas, and other television productions. . . . The focus on women, real and fictional, brings balance to the larger question of how a society incorporates the public memory of collective trauma into daily life and consumer culture.”—Choice
 
“Pablo Escobar is the quintessential Latin American drug lord. In this timely study, Pobutsky deciphers the broad impact of Escobar, not only on Colombia and the United States but also on popular culture and the consumer marketplace worldwide.”—Howard Campbell, author of Drug War Zone: Frontline Dispatches from the Streets of El Paso and Juárez  
 
“Pobutsky’s innovative research into the transcultural afterlife of Colombia’s foremost kingpin takes her into the world of telenovelas, surgical enhancement, and drug tourism, proving just how encompassing and unnerving Escobar’s legacy continues to be.”—Ryan Rashotte, author of Narco Cinema: Sex, Drugs, and Banda Music in Mexico’s B-Filmography  
 
“The first comprehensive study of the relationship between the figure of Pablo Escobar and popular culture. It is key in understanding how and why narcocultura is so ubiquitous in Latin America.”—Juan Carlos Ramírez-Pimienta, author of Cantar a los Narcos  
 
In the years since his death in 1993, Colombian drug lord Pablo Escobar has become a globally recognized symbol of crime, wealth, power, and masculinity. In this long-overdue exploration of Escobar’s impact on popular culture, Aldona Bialowas Pobutsky shows how his legacy inspired the development of narcoculture—television, music, literature, and fashion representing the drug-trafficking lifestyle—in Colombia and around the world.  
 
Pobutsky looks at the ways the “Escobar brand” surfaces in bars, restaurants, and clothing lines; in Colombia’s tourist industry; and in telenovelas, documentaries, and narco memoirs about his life, which in turn have generated popular interest in other drug traffickers such as Griselda Blanco and Miami’s “cocaine cowboys.” Pobutsky illustrates how the Colombian state strives to erase his memory while Escobar’s notoriety only continues to increase in popular culture through the transnational media. She argues that the image of Escobar is inextricably linked to Colombia’s internal tensions in the areas of cocaine politics, gender relations, class divisions, and political corruption and that his “brand” perpetuates the country’s reputation as a center of organized crime, to the dismay of the Colombian people. This book is a fascinating study of how the world perceives Colombia and how Colombia’s citizens understand their nation’s past and present.  
 
Aldona Bialowas Pobutsky is professor of modern languages and literatures at Oakland University.  
 
A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez
 

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