This is the first history of the innovative, beloved, and critically acclaimed dance theatre company Pilobolus, with revelatory behind-the-scenes details of its creators and significant works.
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This visionary volume examines how queer bodies are theatrically represented on the Cuban stage in ways that challenge one of the state’s primary revolutionary tools, the categorization and homogenization of individuals. Bretton White critically analyzes contemporary performances that upset traditional understandings of performer and spectator, as well as what constitutes the ideal Cuban citizenry.
Discover how one spectacular building project revolutionized Miami, how one man’s moxie helped turn a fractious tropical city into a cultural capital of the Americas. In Center of Dreams, New York Times bestselling author Les Standiford tells the inspiring story of the Adrienne Arsht Center for the Performing Arts.
In this memoir of a roller-coaster career on the New York stage, former actor and dancer Bettijane Sills offers a highly personal look at the art and practice of George Balanchine, one of ballet’s greatest choreographers, and the inner workings of his world-renowned company during its golden years.
Tells the riveting story of the intense conflicts over teaching evolution in Florida, revealing how not just this state, but the entire country has been Going Ape over this hot-button issue.
This book illuminates how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity, tracing this relationship throughout nearly half a century of developments in Mexican dance from the 1920s to the 1960s.
This book presents over 100 important opinion pieces from David R. Colburn and Senator Bob Graham, two of the most influential public figures in recent Florida history, illustrating the power of civic engagement in tackling issues facing the nation.
Although Salem's still-active community includes one of the oldest African American congregations in the nation, the evidence contained in God's Fields reveals that during much of the twentieth century, the church’s segregationist past was intentionally concealed. Leland Ferguson's work reconstructing this "secret history" through years of archaeological fieldwork was part of a historical preservation program that helped convince the Moravian Church in North America to formally apologize in 2006 for its participation in slavery and clear a way for racial reconciliation.
Relive the tumultuous preseason before Robinson broke the color barrier
By examining the physical conditions of inmates that might have contributed to their institutionalization, as well as to the resulting health consequences, Geber sheds new and unprecedented light on Ireland’s Great Hunger.