Search Results for 'Barbara A. Purdy'

This volume addresses the ways maritime archaeologists have engaged citizen scientists, presenting examples of projects and organizations that have involved volunteers in the important work of gathering and processing data.

Translated into English with extensive notes and a wealth of supplementary material, this narrative of a nineteenth-century Cuban émigré brings to life the early Cuban exile communities in Tampa.

Classic reprint of 1952 pioneer archaeological stu

Researchers who study ancient human diets tend to focus on meat eating, since the practice of butchery is very apparent in the archaeological record. In this volume, Julie Lesnik brings a different food source into view, tracing evidence that humans and their hominin ancestors also consumed insects throughout the entire course of human evolution.

Although figurines are among the most abundant class of artifacts known in the vast Mesoamerican culture, this is the premier single volume to examine these figurines from the Olmec to the Aztec civilizations.

<em>Queering the Redneck Riviera</em> recovers the forgotten and erased history of gay men and lesbians in north Florida, a region that has been overlooked in the story of the LGBTQ experience in the United States. Jerry Watkins reveals both the challenges these men and women faced in the years following World War II and the essential role they played in making the Emerald Coast a major tourist destination.&nbsp; &nbsp;

This volume introduces the Cross-Cultural Interaction Model (CCIM), a visual tool for studying the exchanges that take place between different cultures in borderland areas or across long distances. The model helps researchers untangle complex webs of connections among people, landscapes, and artifacts, and can be used to support multiple theoretical viewpoints.

A multidisciplinary--indeed, transdisciplinary--combination of archaeological, historical, and ethnographic research reveals how the Andean people of southern Peru's Colca Valley experienced and responded to successive waves of colonial rule by the Inka and Spanish empires from the fifteenth through seventeenth centuries.

This book illuminates how collaborations between dancers and painters shaped Mexico&rsquo;s postrevolutionary cultural identity, tracing this relationship throughout nearly half a century of developments in Mexican dance from the 1920s to the 1960s.