Bob Beatty dives deep into the motivations and musical background of Duane Allman to tell the story of what made At Fillmore East not just a smash hit, but one of the most important live rock albums in history.
This book illustrates in full color a generous selection of paintings, drawings, and prints by some of the world’s most significant artists who came to Florida from 1823 to 1950 to capture the “Sunshine State.”
In photographs that surprise with their eye-catching composition and amaze with their detail, Jim Miller captures the beauty of birds as most people never see them, encouraging viewers to marvel at the elegant combination of form and function in bird species.
A long-awaited testament to the life and work of Alfred Hair, the driving force of the Florida Highwaymen, this book introduces a charismatic personality whose energy and creativity were foundational to the success of his fellow African American artists during the era of Jim Crow segregation.
In 2010, artist and biologist Brandon Ballengée saw firsthand the largest environmental disaster in United States history—the Deepwater Horizon oil spill. Within this book are his visual responses to the tragedy; locked in jars, suspended in alcohol, posed in petri dishes, Ballengée’s forms tell stories of species altered and obliterated.
Morgan was unique among architects for his interest in ancient North America and for blending a modern style characterized by its rejection of history with the design language of prehistory. Highlighting how his work has impacted many areas of architecture such as urban design, this book celebrates Morgan’s continuing legacy.
Published in conjunction with a major exhibition at the Samuel P. Harn Museum of Art, this catalogue examines an era of rapid, radical, and irrevocable ecological change through scholarly essays and works of art by 45 contemporary international artists.
“Richard Heipp progresses the dialogue between painting and photography, exploiting mechanical processes to alter the viewer’s visual and physical interactions with a painting. Although his paintings are manually produced, they begin as 35mm photographs or high resolution digital scans. They are at once pictorial illusions while also being interactive objects that force us to shift our viewpoints in order to better realize their physical and formal features.