The life and work of two photographers who captured the rise of Tropical Modern architecture in Miami and the surrounding region
 
“An important contribution to the evolving landscape of twentieth-century architectural photography in the Americas and beyond. While Los Angeles had Julius Shulman, New York had Ezra Stoller, and Chicago had Hedrich Blessing, this first comprehensive monograph about photographers Annette and Rudi Rada presents their contributions to disseminating the mid-century architecture and culture of South Florida and the Caribbean.”—Michelangelo Sabatino, Illinois Institute of Technology College of Architecture
 
“Deupi’s in-depth research of Annette and Rudi Rada is compelling and historically significant. This book is as much biography as it is a cultural documentation. Annette and Rudi Rada’s images remind us that architecture is never static—it lives and evolves alongside the people and landscapes it inhabits. Their photographs ensure that these stories are not forgotten.”—Victoria Sambunaris, photographer 
 
“What is especially original and significant is the lens this study creates through which to see developments in the built environment that link not only Florida, the Bahamas, and Cuba but also New Mexico, New York, Mexico, and South America.”—Paul B. Niell, author of Urban Space as Heritage in Late Colonial Cuba: Classicism and Dissonance on the Plaza de Armas of Havana, 1754?1828
 
In this first critical biography of the life and work of Annette and Rudi Rada, two photographers working in South Florida and the Caribbean from approximately 1946 to 1975, architectural historian Victor Deupi explores the lasting significance of the Radas in documenting the cities, buildings, landscapes, and people of the region during major social and economic transformations of the twentieth century. 
 
During the South Florida building boom of the 1950s, the Radas were highly sought-after photographers. Magazines, newspapers, and travel firms hired the Radas to help advertise new houses and hotels, promoting the tropics and subtropics as a still-untouched paradise. In the Caribbean, Rudi Rada photographed new buildings intruding artistically and commercially into the natural environment while Annette Rada adopted a more ethnographic approach, photographing local people amid burgeoning mass tourism. Whether in South Florida, Cuba, or elsewhere in their travels, the work of the Radas captured postwar architectural evolution, as well as challenges faced by populations adapting to modernization. 
 
Featuring a wealth of never-before-published photographs and material from several archives and collections, Rada Photography adds portrayals of the largely overlooked mid-century architecture of South Florida and the Caribbean to existing architectural photography in the US and Latin America. The artistic output of Annette and Rudi Rada documents how architects and architecture in the region gave shape to architectural styles now known as Miami Modernism or Tropical Modern. 
 
Victor Deupi is professor of practice in the School of Architecture at the University of Miami. He is the author of many books, including Emilio Sanchez in New York and Latin America and Cuban Modernism: Mid-Century Architecture 1940–1970. 

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