Although one of Latin America’s most significant postwar art movements, Nueva Figueración has long been overlooked in studies of modern art. In this first comprehensive examination of the movement, Patrick Frank explores the work of four artists at its heart--Ernesto Deira, Rómulo Macció, Luis Felipe Noé, and Jorge de la Vega--to demonstrate the importance of their work in the transnational development of modern art.
Browse by Subject: Latin American Studies
Please note that while you may order forthcoming books at any time, they will not be available for shipment until shortly before publication date
Nineteenth-century Spanish American writers reimagined gender roles, modernization, and national identity during Spanish America’s uneven transition toward modernity. This ambitious volume surveys an expansive and diverse range of countries across the nineteenth-century Spanish-colonized Americas, showing how both men and women used the discourses of modernity to envision the place of women at all levels of social and even political life in the modern, utopian nation.
The multinational contributors have a broad range of professional experience as urbanists, historians, and architects. Many are globally renowned for their design work, and some are published here in English for the first time. They examine how humans negotiate with their existing surroundings and how built form expresses that relationship.
In this volume, an array of international and interdisciplinary scholars shows the ways Bolívar has appeared over the last two centuries in painting, fiction, poetry, music, film, festival, dance, city planning, and even reliquary adoration. They illustrate how Bolívar’s body has been exalted, reimagined, or fragmented in different contexts, taking on a range of meanings to represent the politics and poetics of today’s national bodies.
Fritz Müller (1821-1897), though not as well known as his colleague Charles Darwin, belongs in the cohort of great nineteenth-century naturalists. Recovering Müller's legacy, David A. West describes the close intellectual kinship between Müller and Darwin and details a lively correspondence that spanned seventeen years.
Cuban Art in the Twentieth Century is an historical progression of works by important artists from a complex modern movement described by several discrete periods: Colonial, Early Republic, First Generation, Second Generation, Third Generation, Late Modern, and Contemporary Periods.
In this one-of-a-kind study of race and class in the Bahamas, Gail Saunders shows how racial tensions were not necessarily parallel to those across other British West Indian colonies but instead mirrored the inflexible color line of the United States. Proximity to the U.S. and geographic isolation from other British colonies created a uniquely Bahamian interaction among racial groups. Focusing on the post-emancipation period from the 1880s to the 1960s, Saunders considers the entrenched, though extra-legal, segregation prevalent in most spheres of life that lasted well into the 1950s.
In this cross-cutting cultural history, Gregg Bocketti traces the origins of football in Brazil from its elitist, Eurocentric identity as "foot-ball" at the end of the nineteenth century to its subsequent mythologization as the specifically Brazilian "futebol, " o jogo bonito (the beautiful game). Bocketti examines the popular depictions of the sport as having evolved from a white elite pastime to an integral part of Brazil’s national identity known for its passion and creativity, and concludes that these mythologized narratives have obscured many of the complexities and the continuities of the history of football and of Brazil.
Misha Klein’s fascinating ethnography reveals the complex intertwining of Jewish and Brazilian life and identity.