Between the mid-nineteenth and mid-twentieth centuries, an influx of Europeans, Asians, and Arabic speakers indelibly changed the face of Latin America. While many studies of this period focus on why the immigrants came to the region, this volume addresses how the newcomers helped construct national identities in the Caribbean, Mexico, Argentina, and Brazil.
Any observer of Dominican political and literary discourse will quickly notice the prevalence of certain notions of hyper-masculinity. In this extraordinary work, Maja Horn argues that these gender conceptions became ingrained during the dictatorship (1930-1961) of Rafael Leonidas Trujillo, as well as through the U.S. military occupation that preceded it.
Although one of Latin America’s most significant postwar art movements, Nueva Figueración has long been overlooked in studies of modern art. In this first comprehensive examination of the movement, Patrick Frank explores the work of four artists at its heart--Ernesto Deira, Rómulo Macció, Luis Felipe Noé, and Jorge de la Vega--to demonstrate the importance of their work in the transnational development of modern art.
Nineteenth-century Spanish American writers reimagined gender roles, modernization, and national identity during Spanish America’s uneven transition toward modernity. This ambitious volume surveys an expansive and diverse range of countries across the nineteenth-century Spanish-colonized Americas, showing how both men and women used the discourses of modernity to envision the place of women at all levels of social and even political life in the modern, utopian nation.
The multinational contributors have a broad range of professional experience as urbanists, historians, and architects. Many are globally renowned for their design work, and some are published here in English for the first time. They examine how humans negotiate with their existing surroundings and how built form expresses that relationship.
In this volume, an array of international and interdisciplinary scholars shows the ways Bolívar has appeared over the last two centuries in painting, fiction, poetry, music, film, festival, dance, city planning, and even reliquary adoration. They illustrate how Bolívar’s body has been exalted, reimagined, or fragmented in different contexts, taking on a range of meanings to represent the politics and poetics of today’s national bodies.
Fritz Müller (1821-1897), though not as well known as his colleague Charles Darwin, belongs in the cohort of great nineteenth-century naturalists. Recovering Müller's legacy, David A. West describes the close intellectual kinship between Müller and Darwin and details a lively correspondence that spanned seventeen years.