Encompassing works by Cubans on the island, in exile, and born in America, this volume delves into defining moments in Cuban art across three centuries, offering a kaleidoscopic view of the island’s people, culture, and history.
Set against the sweeping backdrop of one of the most dramatic refugee crises of the twentieth century, The Mariel Boatlift presents the stories of Cuban immigrants to the United States who overcame frightening circumstances to build new lives for themselves and flourish in their adopted country.
In this extensively researched book, Anna Clayfield challenges contemporary Western views on the militarization of Cuba. She argues that, while the pervasiveness of armed forces in revolutionary Cuba is hard to refute, it is the guerrilla legacy, ethos, and image—guerrillerismo—that has helped the Cuban revolutionary project survive. The veneration of the guerrilla fighter has been crucial to the political culture’s underdog mentality.
This book explores the many ways in which the island of Cuba has been immortalized in ceramic pieces. While the works of several Cuban ceramists are present in these pages, this is not a book about Cuban ceramics featuring Cuban artists working in that medium. The protagonist of this book is Cuba itself, seen through the eyes of ceramists—native and foreign.
This collection of essays offers a comprehensive overview of colonial legacies of racial and social inequality in Latin America and the Caribbean. Rich in theoretical framework and close textual analysis, these essays offer new paradigms and approaches to both reading and resolving the opposing forces of race, class, and the power of states.
Abundantly illustrated, this volume is a pioneering survey of the ancient art of the entire Caribbean region. While previous studies have focused on the Greater Antilles—Cuba, Haiti, the Dominican Republic, Puerto Rico, and Jamaica—this is the first book also to include the islands of the eastern Caribbean and their ties to pre-Columbian Venezuela.
The work of the 1960s Caracas-based art collective El Techo de la Ballena (The Roof of the Whale) was called “subversive” and “art terrorism” and seen as a threat to Venezuela’s national image as an emerging industrial power. This volume details the historical and social contexts that shaped the collective, exploring how its anti-art aesthetic highlighted the shortcomings of the country’s newfound oil wealth and transition to democracy.
The Catholic Church produced an enormous volume of written material designed to ensure the servility of nuns. Reading this body of proscriptive literature alongside nuns' own writings, Kirk finds that practice often diverged from theory. She analyzes how seventeenth- and eighteenth-century nuns formed alliances and friendships in defiance of Church authorities' efforts to contain and control them.
As Karen Richman shows, Haitians at home and in migrant settlements make ingenious use of audio and video tapes to extend the boundaries of their ritual spaces and to reinforce their moral and spiritual anchors to one another.
Edited by Yumi Park Huntington, Dean E. Arnold, and Johanna Minich
Pub Date: 10/18/2018
This is the first volume to bring together archaeology, anthropology, and art history in the analysis of pre-Columbian pottery. While previous research on ceramic artifacts has been divided by these three disciplines, this volume shows how integrating these approaches provides new understandings of many different aspects of Ancient American societies.