In the first history of Spanish-language television in the United States, Craig Allen traces the development of two prominent yet little-studied powerhouses, Univision and Telemundo. Allen tells the inside story of how these networks fought enormous odds to rise as giants of mass communication, questioning monolingual and Anglo-centered versions of U.S. television history.
Browse by Subject: Latin American Studies
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This is the story of the Bay of Pigs invasion, told for the first time in the words of the idealistic participants who came together in April, 1961, to overthrow Fidel Castro’s dictatorship. Most of the approximately 1,500 men of Brigade 2506 were
Translated into English with extensive notes and a wealth of supplementary material, this narrative of a nineteenth-century Cuban émigré brings to life the early Cuban exile communities in Tampa.
Through an abundance of dynamic photographs, this book captures daily life across Cuba, depicting the experiences of Cubans of different ages and walks of life who are navigating the challenges and changes transforming the island today.
This book illuminates how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity, tracing this relationship throughout nearly half a century of developments in Mexican dance from the 1920s to the 1960s.
This in-depth examination of one of the most controversial episodes in U.S.-Cuba relations sheds new light on the program that airlifted 14,000 unaccompanied children to the United States in the wake of the Cuban Revolution. Operation Pedro Pan is often remembered within the U.S. as an urgent “rescue” mission, but Deborah Shnookal points out that a multitude of complex factors drove the exodus, including Cold War propaganda and the Catholic Church’s opposition to the island’s new government.
In this book, Eli Carter explores the ways in which the movement away from historically popular telenovelas toward new television and internet series is creating dramatic shifts in how Brazil imagines itself as a nation, especially within the context of an increasingly connected global mediascape.
This collection is an in-depth examination of Ediciones Vigía, an artisanal press that published exquisite books crafted from simple supplies during some of Cuba’s most dire economic periods. Vividly illustrated, this volume shows how the publishing collective responded to the nation’s changing historical and political situation from the margins of society.
This visionary volume examines how queer bodies are theatrically represented on the Cuban stage in ways that challenge one of the state’s primary revolutionary tools, the categorization and homogenization of individuals. Bretton White critically analyzes contemporary performances that upset traditional understandings of performer and spectator, as well as what constitutes the ideal Cuban citizenry.
