Daniel Duncan, Marcela Vásquez-León, and Dereka Rushbrook
Pub Date: 10/6/2020
Through an abundance of dynamic photographs, this book captures daily life across Cuba, depicting the experiences of Cubans of different ages and walks of life who are navigating the challenges and changes transforming the island today.
This book illuminates how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity, tracing this relationship throughout nearly half a century of developments in Mexican dance from the 1920s to the 1960s.
This in-depth examination of one of the most controversial episodes in U.S.-Cuba relations sheds new light on the program that airlifted 14,000 unaccompanied children to the United States in the wake of the Cuban Revolution. Operation Pedro Pan is often remembered within the U.S. as an urgent “rescue” mission, but Deborah Shnookal points out that a multitude of complex factors drove the exodus, including Cold War propaganda and the Catholic Church’s opposition to the island’s new government.
In this book, Eli Carter explores the ways in which the movement away from historically popular telenovelas toward new television and internet series is creating dramatic shifts in how Brazil imagines itself as a nation, especially within the context of an increasingly connected global mediascape.
Edited by Ruth Behar, Juanamaría Cordones-Cook, and Kristin Schwain
Pub Date: 6/9/2020
This collection is an in-depth examination of Ediciones Vigía, an artisanal press that published exquisite books crafted from simple supplies during some of Cuba’s most dire economic periods. Vividly illustrated, this volume shows how the publishing collective responded to the nation’s changing historical and political situation from the margins of society.
This visionary volume examines how queer bodies are theatrically represented on the Cuban stage in ways that challenge one of the state’s primary revolutionary tools, the categorization and homogenization of individuals. Bretton White critically analyzes contemporary performances that upset traditional understandings of performer and spectator, as well as what constitutes the ideal Cuban citizenry.
In this exploration of Colombian drug lord Pablo Escobar’s impact on popular culture, Aldona Bialowas Pobutsky shows how Escobar’s legacy inspired the development of narcocultura—television, music, literature, and fashion representing the drug-trafficking lifestyle—in Colombia and around the world.
This volume explores works from Latin American literary and visual culture that question what it means to be human and how the nonhuman world helps define personhood. In doing so, it provides new perspectives on how the region challenges and adds to global conversations about humanism and the posthuman.