This volume examines NASA’s strong ties to the American South, exploring how the space program and the region have influenced each other since NASA’s founding in 1958.
University of Florida Press
Please note that while you may order forthcoming books at any time, they will not be available for shipment until shortly before publication date
Yvonne Conde presents poignant stories from individuals who left Cuba between 1960 and 1962 in one of the world’s largest political exoduses of children.
Filled with exquisite color illustrations, this volume examines an underserved aspect of Asian art history by discussing women artists, collectors, archaeologists, and architects whose efforts have largely been left out of scholarship.
Through a variety of first-person accounts, this book offers a glimpse into the frequently misunderstood religions of Afro-Cuban Lukumí, Haitian Vodou, and Brazilian Candomblé, adding to the growing research on the transnational yet personal nature of African diasporic religions.
This volume explores the main trends, genres, and themes that define the emerging filmmaking industry in Central America, providing a needed overview of one of the least explored cinemas in the world.
Examining material and cultural representations of the cosmonaut program, Cathleen Lewis discusses how the public image of the Soviet cosmonaut developed beginning in the 1950s and the ways this icon has been reinterpreted throughout the years and in contemporary Russia.
This book explores how NASA’s space program impacted American society and culture during and after the race to the Moon, looking back at the 1969 Apollo 11 Moon landing from the perspective of the present day.
Designed to support introductory undergraduate courses in forensic anthropology, this versatile laboratory manual provides basic training in relevant methods of biological profile estimation and trauma assessment for use in medico-legal contexts.
This volume addresses and expands the role of the artist in colonial Latin American society, featuring essays that consider the ways society conceived of artists and the ways artists defined themselves.
This book details the Indigenous Taíno occupation at En Bas Saline in Hispaniola between AD 1250 and 1520, showing how the community coped with the dramatic changes imposed by Spanish contact.