"Every serious student of 18th-century religious thought will need to come to terms with this edition of Sterne's sermons. . . . The annotation alone will force scholars to explore again the notion that 18th-century Anglicanism, and Sterne's Anglicanism in particular, was devoid of conviction. . . . One of the special strengths of this edition is the editor's decision to provide ample quoted material from authors who influenced Sterne's work in these sermons. . . . Extremely erudite and sensitive."--William Spellman, University of North Carolina, Asheville

This two-volume scholarly edition of Laurence Sterne's 45 sermons is the first complete reprinting of the text of the sermons since the Shakespeare Head edition in 1927 and the first annotated edition ever. The introduction and notes demonstrate Sterne's method of composing sermons and indicate, wherever possible, the relationship between the sermons and Sterne's fiction and other writing. In addition, the annotation provides numerous connections between the sermons and Tristram Shandy and A Sentimental Journey.
Melvyn New's long and illuminating introduction outlines the main elements of late 17th- and early 18th-century Anglicanism and explores how this theological perspective informed Sterne's message in the pulpit. The work includes four categories of annotations: Sterne's sources, his theology, his other writings, and his clerical and private life.
As with the Florida edition of Tristram Shandy, this will be the edition that scholars will need to consult. Ecclesiastical and intellectual historians, as well as library scholars interested in the eighteenth century, will find this work of great usefulness.

Melvyn New, professor of English at the University of Florida, has been writing on Laurence Sterne for more than 25 years. He is coeditor, with Joan New, of the Florida edition of Tristram Shandy, volumes 1 and 2: The Text (1978); and coeditor of Tristram Shandy, volume 3: The Notes (1984). He is the author of Laurence Sterne as Satirist (UPF, 1969); Telling New Lies: Seven Essays in Fiction, Past and Present (UPF, 1992); and Tristram Shandy: A Book for Free Spirits (1994).

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"Albrecht offers a comprehensive narrative incorporating the most prolific of circus performers, probing their frame of mind. He features four circuses that have become part of the fabric of their communities (rather than nomadic visitors) and have been associated with a training program in the circus arts..."
--Home News & Tribune

"The Flordia Edition, based on the first edition, is the first annotated, scholarly, and textually scrupulous edition, and Melvyn New deserves high praise for the immense endeavour that it represents." "This is a ground-breaking edition which should affect our view of Sterne and of eighteenth-century religious and literary culture."
--Essays in Criticism

"We are all inestimably in New's debt for these latest volumes. He has, as in his previous work, produced a scholarly tool, definitive in our time, and probably for generations."--Literature & Theology
--Literature & Theology