“Bravo to Monroe for capturing this little-known postwar period of South Beach history. The photographs are wonderful. Monroe’s accompanying text is personal and poignant, and it resonates.”—Allan Shulman, editor of The Discipline of Nature: Architect Alfred Browning Parker in Florida
“Monroe’s pictures give us a glimpse into a unique and vibrant lost world. The effect is both poignant and comforting, exuding the pathos of a fading community while testifying to the deeply human need for a sense of belonging.”—René Morales, chief curator, Pérez Art Museum Miami
“Monroe’s photographs capture a slice of history that had a brief but very bright and significant impact on the story of Jewish life in Miami Beach. These images allow the viewer into a world rich with culture, music, language, religion, food, friendship, and sadly, loneliness. This world, while gone forever, is available to us through the poignant work in The Last Resort.”—Susan Gladstone, executive director, Jewish Museum of Florida - FIU
“Monroe has documented an extraordinary moment in South Florida’s history. His images transport us to a time and place no longer visible and mostly forgotten in the everchanging landscape of South Beach. We are fortunate that Gary had the vision and the eye to capture this vibrant Jewish community before the neighborhood transformed into today’s world-famous tourist and nightlife destination.”—Jorge Zamanillo, executive director, HistoryMiami Museum
“A moving tribute and visual diary of South Beach’s Jewish community. Monroe’s images depict people and places who are inherent to the landscape of Miami but today exist only as memories. A poignant reflection of a forgotten era.”—Joanna Robotham, curator of modern and contemporary art, Tampa Museum of Art
“Captures in a beautiful and nostalgic way the disappearance of a thriving community and the seismic rediscovery by the world of a city neighborhood called South Beach.”—Glen Gentele, director, Orlando Museum of Art
“From the mid-1950s through the 1970s, the barrier island of Miami Beach was predominantly Jewish and increasingly elderly. Gary Monroe’s candid photographs vividly capture this history, allowing viewers to see an immigrant world that predated the glitz and glamour that has come to define South Beach.”—Andrew K. Frank, author of Before the Pioneers: Indians, Settlers, Slaves, and the Founding of Miami
Before the high rises, the nightlife, and the fashion scene, Miami’s South Beach was a retirement haven for American Jews. In The Last Resort, photographer Gary Monroe presents a collection of images that preserve his observations of this vanished time.
After World War II, Jewish retirees from the Northeast—many of whom had come to America to escape Nazi Germany—found comfort, camaraderie, and culture in the sunny island city of Miami Beach. By the late 1950s, the population was 80% Jewish, and eventually the neighborhood of South Beach became home to a strong community of elderly Jews. A local who grew up in a Jewish household during this time, enchanted by the deep-rooted traditions and close-knit society of the older men and women he saw around him, Monroe set out to capture their world.
Taken over the span of 10 years, Monroe’s photographs chronicle the day-to-day activities of the community from sunrise to sunset. Full of energy, love, misery, and heartbreak, these images portray a shared vision of richly lived lives. During this time, card rooms became makeshift temples. People enjoyed sunrise swims in the ocean. The streets were active. Neighbors cared for each other. On Friday evenings, women lit Shabbos candles. Through these scenes, Monroe’s work documents the efforts of the aging South Beach residents to maintain their dignity, mores, and lifestyle.
The Last Resort memorializes an era, a culture, and a history. Gary Monroe offers an exquisitely rendered portrait of a special community most people have forgotten.
Gary Monroe, a native of Miami Beach, has received grants and exhibitions for his photography work, including two National Endowments for the Arts grants, four Florida Humanities Council Fellowships, a State of Florida arts fellowship, and two Fulbright Foundation fellowships. Monroe continues to photograph while authoring several books on self-taught Florida artists, including The Highwaymen: Florida’s African-American Landscape Painters and Silver Springs: The Underwater Photography of Bruce Mozert.
- Sample Chapter(s):
There are currently no reviews available