"From the late 1950's into the early 80's these colorful landscapes were ubiquitous decorations in Florida homes, offices, restaurants, and motel rooms. They shaped the state's popular image as much as oranges and alligators."--New York Times
"A valuable document of Florida's rich cultural past, showing how black artists contributed to the dreamy visions of Florida that were being aggressively marketed at a time when air conditioning and mosquito repellent in the 1950s made the state a desirable destination."--Miami Herald
The days are long past when tourists could buy an original landscape painting on the side of the road for as little as $50 dollars--sometimes before the paint dried. This new book of postcards allows you to experience the thrill of owning (miniature) versions of these exquisite paintings.
Gary Monroe, a native of Miami Beach, has photographed throughout Brazil, Israel, Cuba, India, Trinidad, Poland, and Egypt, among other international destinations. He is best known for his long-term photographic involvements with the elderly’s old world culture of South Beach, Haiti during the end of the Duvalier regime and foray into democracy, and tourism as a rite of passage. He has received various honors and distinctions for his work, including two National Endowments for the Arts, four Florida Humanities Council Fellowships, a State of Florida arts fellowship, and two Fulbright Foundation fellowships. Monroe is the author of The Highwaymen: Florida’s African-American Landscape Painters and three other books on Florida’s Highwaymen artists. He has written nine books, most of which acknowledge unrecognized self-taught Florida artists. His most recent book, E. G. Barnhill: Florida Photographer, Adventurer, Entrepreneur, highlights the artist’s hand-colored photographs.
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