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Beginning with Zora Neale Hurston's Their Eyes Were Watching God and continuing into contemporary black women's writings, Donna Weir-Soley emphasizes the importance of sexuality in the development of black female subjectivity. Analyzing the works and characters of such writers as Toni Morrison, Opal Palmer Adisa, and Edwidge Danticat, she reveals how these writers highlight the interplay between the spiritual and the sexual through religious symbols found in Voudoun, Santeria, Condomble, Kumina, and Hoodoo.
Saved and Sanctified focuses on a Philadelphia church that was started above a horse stable by a woman born sixteen years after the Emancipation Proclamation and is still active today.
Elizabeth Arkush demonstrates how a thorough archaeological investigation of hillfort towns reveals new ways to study the sociopolitical organization of pre-Columbian societies.
This volume brings together literary and musical compositions of medieval France, identifying the use of voice in these works as a way of articulating gendered identities.
This innovative analysis shows how James Joyce uses the language of prayer to grapple with intangible things in his dreamlike masterpiece Finnegans Wake. Colleen Jaurretche moves beyond what scholars know about how Joyce wrote this work to suggest exactly why it follows the order it does in its finished form.
In Mythic Frontiers, Daniel Maher illustrates how aggrandized versions of the past, especially those of the "American frontier," have been used to turn a profit. These imagined historical sites have effectively silenced the violent, oppressive, colonizing forces of manifest destiny and elevated principal architects of it to mythic heights.