In 2010, artist and biologist Brandon Ballengée saw firsthand the largest environmental disaster in United States history—the Deepwater Horizon oil spill. Within this book are his visual responses to the tragedy; locked in jars, suspended in alcohol, posed in petri dishes, Ballengée’s forms tell stories of species altered and obliterated.
Wrecked aircraft and abandoned airfields, old highway billboards and derelict boats, movie props, deserted mining operations. In this book, archaeologist P.J. Capelotti explores places and things that people don’t typically think of as archaeological sites and artifacts, introducing readers to the most extreme fieldwork taking place today.
The emergence of village societies out of hunter-gatherer groups profoundly transformed social relations in every part of the world where such communities formed. Drawing on the latest archaeological and historical evidence, this volume explores the development of villages in eastern North America from the Late Archaic period to the eighteenth century.
Edited by Yumi Park Huntington, Dean E. Arnold, and Johanna Minich
Pub Date: 10/18/2018
This is the first volume to bring together archaeology, anthropology, and art history in the analysis of pre-Columbian pottery. While previous research on ceramic artifacts has been divided by these three disciplines, this volume shows how integrating these approaches provides new understandings of many different aspects of Ancient American societies.
As Karen Richman shows, Haitians at home and in migrant settlements make ingenious use of audio and video tapes to extend the boundaries of their ritual spaces and to reinforce their moral and spiritual anchors to one another.
Drawing on material evidence from daily life in a coal-mining town, this book offers an up-close view of the political economy of the United States over the course of the twentieth century. This community’s story illustrates the great ironies of this era, showing how modernist progress and plenty were inseparable from the destructive cycles of capitalism.
The Catholic Church produced an enormous volume of written material designed to ensure the servility of nuns. Reading this body of proscriptive literature alongside nuns' own writings, Kirk finds that practice often diverged from theory. She analyzes how seventeenth- and eighteenth-century nuns formed alliances and friendships in defiance of Church authorities' efforts to contain and control them.
At the turn of the twentieth century, new technologies such as the phonograph, telephone, and radio changed how sound was transmitted and perceived. In Modernist Soundscapes, Angela Frattarola analyzes the influence of “the age of noise” on writers of the time, showing how modernist novelists used sound to bridge the distance between characters and to connect with the reader on a more intimate level.