This book reveals how migrants shape the politics of their countries of origin, drawing on research from Mexico, Colombia, and Ecuador and their diasporas, the three largest in Latin America. Luis Jiménez discusses the political changes that result when migrants return to their native countries in person and also when they send back new ideas and funds—social and economic “remittances”—through transnational networks.
University of Florida Press
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Bringing together major archaeological research projects from Virginia to Alabama, this volume explores the rich prehistory of the Southeastern Coastal Plain. Looking back 50,000 years, contributors consider how the region’s warm weather, abundant water, and geography have long been optimal for the habitation of people. They highlight demographic changes and cultural connections across this wide span of time and space.
This volume explores how Native peoples of the Southeastern United States cooperated to form large and permanent early villages using the site of Crystal River on Florida’s Gulf Coast as a case study.
In these often-overlooked centuries, Martínez-Fernández finds the roots of many of Cuba’s enduring economic, political, social, and cultural complexities. The result is a sweeping history, a seminal text that makes clear that to fully grasp revolutionary or contemporary Cuba we must first understand what came before.
This brilliantly illustrated volume assembles the perspectives of art historians, critics, curators, and museum directors from major universities and museums around the world to trace the varied and dynamic experiences of Korean art acquisitions over the past century.
This book is a comprehensive identification guide to the 222 species of fishes in Florida’s fresh waters. Each species is presented with color photographs, key characteristics for identification, comparisons to similar species, habitat descriptions, and dot distribution maps.
Juan Ramos uses “decolonial aesthetics,” a theory that frees the idea of art from Eurocentric forms of expression and philosophies of the beautiful, to examine the long decade of the 1960s in Latin America—a time of cultural production that has not been studied extensively from a decolonial perspective.
Telling Migrant Stories explores how contemporary documentary film gives voice to Latin American immigrants whose stories would not otherwise be heard.
