Thwaites reframes a number of familiar critical debates and issues-Joycean aesthetics and history, the "mythic" parallels of Ulysses, the realtionship of the interior monologue to literary realism, the vexed figure of the narrator, and the endless effects
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Schildgen takes a new path in Chaucer studies by examining the Canterbury Tales set outside a Christian-dominated world-tales that pit Christian teleological ethics and history against the imagines beliefs and practices of Moslems, Jews, pagans. And Chauc
Using the fiction the young James Joyce was writing from 1904 to 1906, Sultan traces the process by which Joyce evolved into the mature artist.
Randall Jarrell was the critic whose taste defined American poetry after World War II. Poetry and the Age, his first collection of criticism, was published in 1953. It has been in and out of print over the past 40 years and has become a classic of
The Dublin Helix is a puzzle book, taking as its method James Joyce's own playful manipulations of language and matching them with entertaining word searches, acrostics, and other enigmas. Knowles finds ways into Ulysses that have never before
These essays explore the various manifestations of the heroine in medieval French literature and her multiple relationships with discourse, both medieval and modern. From a discussion of 12th-century saints’ lives to an examination of 15th-century farce, they span the Middle Ages, both chronologically and generically. Focused yet considering a wide range of texts, they shine new light on the heroine and how she behaves, including how she herself uses discourse.
In the first book-length study of the comedic in "Portrait of the Artist as a Young Man," Roy Gottfried argues that far from being a solemn work, Joyce's early masterpiece is covertly but determinedly comic. Specifically, he looks at the Portrait's
This lively retelling of the medieval Grail legend presents a unified version of the hero Perceval's quest. Illustrated with 34 miniatures from 13th- and 14th-century manuscripts, it offers a concise and coherent version of a myth that has fascinated
First published in 1928, Elizabeth Banks' autobiography tells the story of a pioneering, American woman journalist in London at a time when women wrote only for the society & fashion pages. A regular contributor to Punch, & the Daily News, Banks created a
Most analyses of Wharton's work describe her early triumph as a realist and her decline in the 1920s into sentimental fiction. Hoeller shows that Wharton created a dialogue between the two traditions & used the sentimental voice to express the truth of fe