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The Spanish Convoy of 1750: Heaven's Hammer and International Diplomacy

The story of several vessels in a Spanish convoy wrecked by a hurricane along the Virginia/North Carolina coastline, the discovery of the wreckage of the convoy's flagship two and a half centuries later, and the legal battle over salvage rights.

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The Spanish Missions of La Florida

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Spectacle

In Spectacle, poet Lauren Goodwin Slaughter deepens her commitment to the enduring and eternal subjects of womanhood, motherhood, and family, and deftly considers how those devotions intersect in ways joyful, mysterious, and cruel within personal and political landscapes. 

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Spies and Shuttles: NASA's Secret Relationships with the DoD and CIA

In this real life spy saga, James E. David reveals the extensive and largely hidden interactions between NASA and U.S. defense and intelligence departments.

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The Spirit and the Shotgun: Armed Resistance and the Struggle for Civil Rights

The Spirit and the Shotgun explores the role of armed self-defense in tandem with nonviolent protests in the African American freedom struggle of the 1950s and 1960s.

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Spirited Diasporas: Personal Narratives and Global Futures of Afro-Atlantic Religions

Through a variety of first-person accounts, this book offers a glimpse into the frequently misunderstood religions of Afro-Cuban Lukumí, Haitian Vodou, and Brazilian Candomblé, adding to the growing research on the transnational yet personal nature of African diasporic religions.

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Sputnik and the Soviet Space Challenge

First published by NASA in 2000 as Challenge to Apollo, these two volumes are the first comprehensive history of the Soviet-manned space programs covering a period of thirty years, from the end of World War II, when the Soviets captured German rocket technology, to the collapse of their moon program in the mid-1970s. 

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St. Petersburg and the Florida Dream, 1888–1950

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Stages to Saturn: A Technological History of the Apollo/Saturn Launch Vehicles

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Staging Discomfort: Performance and Queerness in Contemporary Cuba

This visionary volume examines how queer bodies are theatrically represented on the Cuban stage in ways that challenge one of the state’s primary revolutionary tools, the categorization and homogenization of individuals. Bretton White critically analyzes contemporary performances that upset traditional understandings of performer and spectator, as well as what constitutes the ideal Cuban citizenry.