Phil Gernhard, Record Man is the story of a self-made music mogul who created nearly fifty years’ worth of chart-topping songs. From a tiny office and studio in Florida, he co-wrote the Royal Guardsmen’s “Snoopy vs. the Red Baron,” America’s fastest-selling single of 1966. He revived the career of singer Dion DiMucci with the ballad “Abraham, Martin and John”—a million seller. He discovered and produced hit records for Lobo, Jim Stafford, and the Bellamy Brothers. Through a long collaboration with music business icon Mike Curb, he launched to fame many others, including country superstars Tim McGraw and Rodney Atkins. In Nashville and Los Angeles, Phil Gernhard was a legend.
Through a wealth of unpublished and recently discovered images, this book presents new and rarely seen views of the people, places, and events involved in planning, accomplishing, and commemorating the first Moon landing.
Balancing art, social theory, and history and drawing from family records, oral histories, and photographs rescued from New Orleans in the wake of Hurricane Katrina, Anthony gives us a rich look at the cultural landscape of New Orleans nearly a century ago.
Encompassing works by Cubans on the island, in exile, and born in America, this volume delves into defining moments in Cuban art across three centuries, offering a kaleidoscopic view of the island’s people, culture, and history.
Edited by Charles R. Ewen and Russell K. Skowronek
Pub Date: 1/12/2016
There is little to distinguish the pirate from the average sailor in the archaeological record. Virtually every pirate-related site yet excavated would not be identified as such without the accompanying historical record. The contributors to this volume combine both material culture and archival research to confirm the exploits of pirates and the ships they sailed.