In this book, Paul Mullins examines a wide variety of material objects and landscapes that induce anxiety, provoke unpleasantness, or simply revolt us, looking at the way the material world shapes how we imagine, express, and negotiate difficult historical experiences.
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This book illuminates how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity, tracing this relationship throughout nearly half a century of developments in Mexican dance from the 1920s to the 1960s.
The chaotic years after the Civil War are often seen as a time of uniquely American idealism—a revolutionary attempt to rebuild the nation that paved the way for the civil rights movement of the twentieth century. But Adam Fairclough rejects this prevailing view, challenging prominent historians such as Eric Foner and James McPherson. He argues that Reconstruction was, quite simply, a disaster and that the civil rights movement triumphed despite it, not because of it.
Introducing 230 examples of the Newark Museum's collection of nearly 3,000 Chinese paper cuts, this bilingual Chinese-English publication traces the earliest moments of the tradition of Chinese paper cuts to its use throughout the twentieth century.
An indispensable survey of the history and themes of the socialist revolution that forever changed Cuba and the world.
This book compares the sociopolitical processes behind two major revolutions—those of Cuba in 1959, when Fidel Castro came to power, and Venezuela in 1999, when Hugo Chávez won the presidential election.
This book sheds light on how the text and physical design of James Joyce’s two most challenging works, Ulysses and Finnegans Wake, reflect changes that transformed Europe between World Wars I and II.
