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Examining ceramics from eighteenth-century household sites in Jerez de la Frontera, Spain, and St. Augustine, Florida, Setting the Table opens up new interpretations of cultural exchange and identity in the early modern Spanish empire.

The Shadow of Selma provides a comprehensive assessment of the 1965 civil rights campaign, the historical memory of the marches, and the continuing relevance of and challenges to the Voting Rights Act. The essays consider Selma not just as a keystone event but, much like Ferguson today, as a transformative place: a supposedly unimportant location that became the focal point of epochal historical events.

The first book to examine dance criticism in the United States across 100 years, this study argues that critics in the popular press have influenced how dance has been defined and valued, as well as which artists and dance forms have been taken most seriously.

Contributors to this collection consider the multiplicity and instability of medieval French literary identity, arguing that it is fluid and represented in many different ways. Inherently unstable, identity is created, re-created, adopted, refused, imposed, and self-imposed. Additionally, taken together the essays posit that an individual may identify with a group, existing within it, and yet remain foreign to it.  

The multinational contributors have a broad range of professional experience as urbanists, historians, and architects. Many are globally renowned for their design work, and some are published here in English for the first time. They examine how humans negotiate with their existing surroundings and how built form expresses that relationship.

In 1958, a panel funded by the Office of Naval Research initiated the formation of the International Shark Attack File, the first comprehensive documentation of shark attacks on a global and historical level. Travel the globe with Burgess, the Sherlock Holmes of shark attacks, as he studies mauled remains and the scars of the lucky survivors.

Here, Shaw's long-recognized influence on feminism is reexamined through the lens of twenty-first-century feminist thought as well as previously unpublished primary sources. New links appear between Shaw's writings and his gendered notions of physicality, pain, performance, nationalism, authorship, and politics.

Scholarship abounds on Shaw’s politics, but Nelson Ritschel’s compelling study is the first to explore how Shaw’s presence in Irish radical debate manifested itself not only through his direct contributions but also through the way he and his efforts were engaged by others.